Wow! My favourite violin concerto. Henning, a young and talented violinist that I had the pleasure of seeing a masterclass of last week. Good combination 🙂
Henning played it through effortlessly – letting his violin sing the passion that’s in the Sibelius, as well as hitting the technical work.
I loved the attention he gave to the conductor and orchestra during the performance (and joining the string pizzicatos in the 3rd movement). I was amazed at the way he hit the jumps to the high notes and fingered octaves in the first movement and arpeggios in the last movement with no problems. But I was most surprised by the volume of sound Henning is able to produce from his violin. I don’t think WASO played with a smaller orchestra for the concerto – it was the full thing. But I heard Henning with no problems.
How? I’m guessing great bowing arm and wrist, full bow hair on the string, and playing next to the bridge but without scratchiness. The only fault I can give was I wished there was a bit more space in between some of the phrases in the first movement – they nearly rushed into each other. But the second movement was so soulful and well played it’s inspired me to get the notes back out and learn it.
The Perth audience applause was great, and Henning treated us to not one, but TWO encores! The first encore was played by Henning leading the string section. I believe this was “La Melancolie”, composed by Norwegian violinist Ole Bull (http://en.wikipedia.org/wiki/Ole_Bull), when Ole’s wife passed away. Great to hear something not so passionate, and more subdued. The second encore? I don’t know – let me know if you know what it was – it was nearly sounding improvised at some bits. I would have loved to have hear him play the Ysaye Ballade (like Vengerov and Vadim) but it was not to be.
Violin/piano score to La Melancolie here – https://urresearch.rochester.edu/institutionalPublicationPublicView.action?institutionalItemId=4056&versionNumber=1